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Bhashanga Carnatic raaga

Kāpi

The raaga of 'Kanne Kalaimane' (Moondram Pirai) and Purandaradasa's 'Jagadodharana': soft, tender, pleading, devotional.

bhakti and karuna; tender, plaintive, sentimental

Kāpi is a bhashanga raaga in the Carnatic tradition.

in the raaga jeeva (life note) nyasa (resting note)
or tap any lit note to hear it

arohana / ascending

S R2 M1 P N3 S

avarohana / descending

S N2 D2 N2 P M1 G2 R2 S

How to hear it

Life notes / jeeva
Gandhara (G2) and Rishabha (R2); per the SSP the gandhara and rishabha are the jiva and nyasa svaras, and the elongated/oscillated ga is the strongest identity note.
Resting notes / nyasa
Rishabha (R2) and Gandhara (G2) (the SSP names gandhara and rishabha as both jiva and nyasa).
Signature phrases / prayoga
SSP native phrases: N S G M G M R S; N N S D P M G M R S; R G M P D N P M G M R S; S N P M G M R S. The G M R S motif is a defining Kapi signature. Anya-swara phrases (kakali N3 / antara G3): s N P M P D s N P M P, P M G M R, M P G M R S. Base swaras are those of Kharaharapriya with vakra movement.
Ornament / gamaka
Gandhara is heavily oscillated with kampita (the dhirga gandhara, the janta gandhara, or gandhara shaken with kampita); jaru (glides) on gandhara and nishada. Bhashanga character from anya swaras: kakali nishada (N3) and antara gandhara (G3) in specific phrases, and shuddha dhaivata (D1) as a foreign note in some compositions. Two nishadas (N2 and N3) and the vakra grouping N2 D2 N2 further colour it.

Easy to confuse with

Hindustani Kafi/thaat and raag Pilu
Desh

Listen for it

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◐ Draft: the reference facts on this page are compiled from public sources and are pending review by a musician. Corrections welcome via GitHub.