home / raagas / Kānaḍa

Sampurna Carnatic raaga

Kānaḍa

The majestic, Hindustani-derived raaga of Tyagaraja's 'Sri Narada': listen for its serious, weighty, zig-zag phrases (gravitas).

majestic, serious, dignified (gambhira)

Kānaḍa is a sampurna (seven-note) raaga in the Carnatic tradition.

in the raaga jeeva (life note) nyasa (resting note)
or tap any lit note to hear it

arohana / ascending

S R2 G2 M1 D2 N2 S (alternate: S R2 P G2 M1 D2 N2 S)

avarohana / descending

S N2 P M1 G2 M1 R2 S (some sources incl. Wikipedia: S N2 D2 P M1 G2 M1 R2 S)

How to hear it

Life notes / jeeva
Gandhara (G2) is the raga's defining/identity note (singing it alone would suffice); the rishabha (R2) is cited as the jiva svara of the mela-22 family.
Resting notes / nyasa
Beyond the universal Shadja (S) and Panchama (P), the distinctive nyasa svaras are Rishabha (R2), Gandhara (G2) and Dhaivata (D2).
Signature phrases / prayoga
sa ni pa, dha ni pa, ma pa ga, sa ri pa ga, ni sa dha; special phrases SRSSNNPM, NDPDPPMG, MRGMP, SDPD; the signature G M R S (also G M P G M R S). Arohana S R2 G2 M1 D2 N2 S; avarohana S N2 S D2 P M1 G2 M1 R2 S (vakra, bhashanga).
Ornament / gamaka
The gandhara is ornamented with an oscillated/kampita gamaka, always intoned at or below sadharana level and never sharper, with subtle oscillations. Kanada's gandhara-gamaka is distinct from Kharaharapriya's even though Kanada is its janya. The raga stresses heavily on gamakas and minute nuances.

Listen for it

Identify a raaga →

◐ Draft: the reference facts on this page are compiled from public sources and are pending review by a musician. Corrections welcome via GitHub.