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Sampurna Carnatic raaga

Dēvagāndhāri

Arabhi's softer twin: a prayerful, slow-moving raaga of Tyagaraja's 'Ksheera Sagara Sayana'; listen for its gamaka-rich descent.

prayerful, devotional, tender supplication

Dēvagāndhāri is a sampurna (seven-note) raaga in the Carnatic tradition.

in the raaga jeeva (life note) nyasa (resting note)
or tap any lit note to hear it

arohana / ascending

S R2 M1 P D2 S

avarohana / descending

S N3 D2 N2 D2 P M1 G3 R2 S (vakra form; karnatik lists simpler S N3 D2 P M1 G3 R2 S)

How to hear it

Life notes / jeeva
Rishabha (R2), Gandhara (G3) and Dhaivata (D2) are the ragachaya (identity) svaras; the gamaka-laden rishabha and elongated (deergha) gandhara are the defining features.
Resting notes / nyasa
Rishabha (R2), Panchama (P) and Dhaivata (D2).
Signature phrases / prayoga
The vakra sanchara sa-ri-ga-Sa-ri-sa (S R G S R S) is the safety-factor phrase distinguishing Devagandhari from Arabhi. Rishabha appears embellished in descent as pa-ma-ga-ree (P M G R). Core phrases: PMD,D, DNS (or DSNS), SN3 DN2,DP, SRGR,GRSS, SND-RSR, MGR-P; and the recurring PDND-MPDP-PDND-PMDP-PMPM-GRGR pattern. Arohana S R2 M1 P D2 S; avarohana S N3 D2 N2 D2 P M1 G3 R2 S.
Ornament / gamaka
The Rishabha is more gamaka-laden than in Arabhi; the gandhara is elongated/deergha (vs Arabhi's alpa gandhara). Bhashanga raga using kaishiki nishadam (N2) as an anya svara in phrases such as SN3 DN2 DP. Sung with gamakas and vilambita/chauka-kala prayogas.

Easy to confuse with

Arabhi (identical basic arohana/avarohana
Devagandhari differs by gamakas, elongated G3 and the N2 bhashanga usage). Name-confused with Devamanohari

Listen for it

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◐ Draft: the reference facts on this page are compiled from public sources and are pending review by a musician. Corrections welcome via GitHub.