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Bhashanga Carnatic raaga

Bhairavi

One of the grandest raagas: the 'Viriboni' Ata-tala varnam every student learns; deep, devotional, tinged with pathos (karuna).

karuna (pathos), devotion, depth, plaintive grandeur

Bhairavi is a bhashanga raaga in the Carnatic tradition.

in the raaga jeeva (life note) nyasa (resting note)
or tap any lit note to hear it

arohana / ascending

S G2 R2 G2 M1 P D2 N2 S (vakra form); straight form S R2 G2 M1 P D2 N2 S

avarohana / descending

S N2 D1 P M1 G2 R2 S

How to hear it

Life notes / jeeva
Nishada (N2, kaisiki) is an important jeeva swara, rendered with varying degrees of gamaka; gandhara (G2) and the two dhaivatas (D2/D1) are the notes whose gamaka handling gives the raga its flavour.
Resting notes / nyasa
Panchama (P) is the purna (full) nyasa swara, on which one may sustain at length; chatusruti dhaivata (D2) is an alpa (minor) nyasa used to conclude phrases without stress, e.g. tara-sthayi S n d and R S n d.
Signature phrases / prayoga
Distinguished from allied Mukhari by ascending P D2 N2 S and S G2 R2 G2 M1. In ascent G2 is held with R2 and oscillated (S G R G M); in descent M P G R, and the phrase P D N D P takes shuddha dhaivata D1. Arohana uses chatusruti dhaivata D2; avarohana uses shuddha dhaivata D1.
Ornament / gamaka
Deft use of gamakas on G2, N2, D2 and D1 gives the raga its flavour; the gamaka on G ends in R, and in descent G2 slides from M1 and oscillates. Gandhara is rendered with a slow, deliberate kampita essential to Bhairavi's identity, and kampita is also applied to dhaivata.

Easy to confuse with

Mukhari ('Bhairavi is distinguished from Mukhaari')
also Manji and Huseni

Listen for it

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◐ Draft: the reference facts on this page are compiled from public sources and are pending review by a musician. Corrections welcome via GitHub.